Honestly, if you’ve been following the orbit of Elizabeth Grant for the last decade, you know her relationship with high fashion has always been a bit of a tightrope walk. But the Lana Del Rey Vogue Italia November 2024 cover? That was something different. It wasn't just another glossy magazine front. It felt like a full-circle moment for a woman who once admitted she used to pin pages of "Vogue Italy" to her bedroom walls back when she was just a girl in Lake Placid.
The shoot was lensed by the legendary Steven Meisel. If you’re a fashion nerd, you know that name carries weight. Meisel is the guy who basically defined the "Vogue Italia" look during the Franca Sozzani era—moody, cinematic, and occasionally controversial. For Lana, who has spent her career being criticized for "glamorizing" the dark parts of life, being captured by Meisel's lens is the ultimate industry validation. It’s the aesthetic equivalent of getting a papal blessing.
Behind the November 2024 Cover
The vibe of this specific issue was labeled "I Believe in Magic." It’s a fitting theme for where Lana is right now. She’s transitioned from the "Sad Girl" archetype into something much more grounded, even if the imagery is still dripping in that classic noir shadow.
The shoot took place in New York, and the creative direction was heavily inspired by a 2014 shoot Meisel did with Sofia Coppola. It’s no secret that Lana is a Coppola devotee. She’s cited The Virgin Suicides as a major influence on her visual language for years. Seeing her step into that specific visual world—the soft lighting, the deliberate, haunting stillness—felt less like a "fashion shoot" and more like a scene from a film that doesn't exist yet.
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On set, they reportedly listened to Giorgio Moroder’s soundtrack for the Paul Schrader film Cat People. You can see that energy in the photos. There’s a tension there. It’s not just about the clothes—though she’s wearing heavy hitters like Prada, Louis Vuitton, and Moschino. It’s about the fact that she looks like she’s finally comfortable being the "somebody" she dreamed of becoming while staring at those magazine clippings as a teenager.
What She Said About the "Problematic" Past
One of the most striking things about the accompanying interview was how Lana addressed her early career. She’s well aware of the discourse that surrounded her during the Born to Die era. She told the magazine that people used to think her lyrics were a "problem," but noted that today, almost every singer "peels their heart like an apple."
She’s right.
In 2012, her vulnerability was treated as a spectacle or a calculated persona. Now, in 2026, the "confessional" style is the industry standard. She’s a trailblazer who had to bleed so others could run. She mentioned a bit of a grim metaphor, saying she felt a bit like a car crash that people couldn't help but stare at—referencing figures like Ophelia or Juliet. But the Lana Del Rey Vogue Italia spread shows she didn't end up a tragedy. She’s very much the survivor.
The Evolution: 2012 vs. 2019 vs. 2024
Lana hasn't been a stranger to the Italian edition of Vogue. Her history with the publication is actually a great roadmap of her personal evolution.
- 2012: The early days. She was the "Gangster Nancy Sinatra." The focus was heavily on the hair, the nails, and the "Old Hollywood" artifice.
- 2019: The Steven Klein shoot. This was the Norman F*ing Rockwell! era. It was edgier, a bit more aggressive, and featured her own poetry from Violet Bent Backwards Over the Grass.
- 2024: The Meisel era. This version of Lana is softer but more powerful. She’s blonde, sun-kissed from the LA salt air (as she described it at LAX during the interview), and seemingly at peace with her "shadows."
The "Lasso" of It All
Fans were hovering over this issue because they expected more concrete news about her upcoming album, Lasso. While she’s been teasing a "Southern Gothic" shift for a while, she used the Vogue Italia platform to clarify her creative process. She admitted that she’d initially leaned too hard into an "American flair" that she didn't quite recognize herself in.
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She's slowing down.
She wants the record to reflect who she is today—a woman who just married Jeremy Dufrene and is finding joy in the simple things, like "touching grass" in a park before a major festival set. It's a far cry from the "live fast, die young" mantra of her twenties.
Why This Specific Photoshoot Still Matters
We live in a world where digital covers are a dime a dozen. But a physical copy of Lana Del Rey Vogue Italia is a collector’s item for a reason. It captures a moment where the "alt-pop" queen finally settled her tab with the fashion establishment.
She isn't just wearing the clothes; she’s commanding the narrative. The styling, handled by Karl Templer with makeup by the legendary Pat McGrath, didn't try to make her look like a "model." It made her look like a legend.
If you're looking to understand the "Lana Aesthetic" in its most refined form, this is the textbook. It’s the intersection of 1960s Italian cinema and 21st-century American disillusionment. It’s haunting, beautiful, and—as the tagline said—invariably fatal.
Next Steps for Fans and Collectors
If you're trying to track down a physical copy of the November 2024 issue, check specialty international newsstands or high-end archival resellers like eBay or Etsy. Because it features Meisel's work and an exclusive interview, these copies tend to appreciate in value quickly. For those looking to channel the "Vogue Italia" look in their own photography, focus on high-contrast black and white settings and look for "noir" lighting setups that emphasize shadow over clarity.