Who Wrote The Call of the Wild and Why He Nearly Died Doing It

Who Wrote The Call of the Wild and Why He Nearly Died Doing It

Jack London. That's the short answer to who wrote The Call of the Wild, but honestly, the name on the cover doesn't tell half the story. Most people think of London as some cozy Victorian novelist sitting in a mahogany-filled study with a pipe. He wasn't. Jack London was a high-school dropout, a literal pirate on the San Francisco Bay, a hobo who hopped trains across America, and a gold prospector who barely survived the Klondike. He didn't just sit down and imagine a dog named Buck. He lived in the frozen mud and the "White Silence" until his teeth literally started falling out from scurvy.

London was 21 when he headed north in 1897. He had no money. He had a massive amount of grit. While thousands of other men were dying of exhaustion or starvation on the Chilkoot Pass, London was watching. He was taking mental notes. He was learning how dogs lived—and how they died—in a world where the thin veneer of civilization gets stripped away by -60 degree temperatures. When we talk about who wrote The Call of the Wild, we are talking about a man who viewed life as a brutal struggle for survival because, for him, it usually was.

The Real Man Behind the Legend

Jack London wasn't born into the literary elite. Not even close. He was the "Prince of the Oyster Pirates" before he was a writer. He spent his teenage years stealing from commercial oyster beds at night, then joined the California Fish Patrol to catch the very pirates he used to work with. This flip-flopping between outlaw and authority defined his writing style. It gave him that raw, unsentimental edge that makes The Call of the Wild feel so visceral even 120 years later.

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By the time he arrived in the Yukon, London was already a hardened soul. He spent the winter of 1897 in a cabin on the Stewart River. While others were frantically digging for gold that wasn't there, London was reading Darwin and Milton. He was observing the sled dogs. He saw how the domesticated animals from the "Southland" either adapted to the primitive law of the club and fang or ended up as wolf bait.

He didn't find much gold. What he found was the "Northland" psyche. He contracted scurvy, a horrific disease caused by a lack of vitamin C. His gums swelled, his joints ached, and he eventually had to head home, but he carried with him the skeletal structure of what would become the most famous dog story in history.

Why Who Wrote The Call of the Wild Matters for the Story's Accuracy

You can't separate the book from the man. London was obsessed with "naturalism." This was a literary movement that suggested our environment and our heredity determine our fate, not some grand spiritual plan.

When you read about Buck’s transformation, you're reading London’s own observations of the Klondike. He based Buck on a real dog—a massive Saint Bernard-Scotch Collie mix owned by Marshall and Louis Bond. London stayed on their property during his time in the Yukon. He watched that dog. He saw the way the animal interacted with the harsh environment.

The Bonds and the Real Buck

The Bond brothers’ dog was actually named Jack. He was a powerhouse. London saw in this dog the perfect vessel for his theories on "atavism"—the idea that a creature can regress to its ancestral traits when pushed to the limit.

  1. London watched the dog's physical dominance.
  2. He noted the way sled dogs slept under the snow to stay warm.
  3. He listened to the "song of the huskies" at night, which he later described as the call of the wild itself.

It wasn't just observation; it was a kind of empathy. London felt like Buck. He felt like he had been snatched from a comfortable life and thrown into a meat grinder where only the strongest survived.

The Commercial Explosion of 1903

When London got back to California, he was broke. He started churning out stories at a frantic pace. He wrote a thousand words a day, every day. It was a factory mindset. In 1903, The Call of the Wild was serialized in the Saturday Evening Post. They paid him $750. Shortly after, Macmillan bought the book rights for $2,000.

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In today’s money, that’s about $70,000. Not a bad haul for a short novel, but London famously sold the rights outright, meaning he didn't get royalties as the book became a global phenomenon. He was a genius writer but a famously chaotic businessman. He spent money faster than he could earn it, building a massive ranch in Glen Ellen, California, and a custom sailing ship called the Snark.

Controversy and the "Nature Fakers"

Not everyone loved London's work. In fact, he got into a massive public spat with President Theodore Roosevelt. This is a weird piece of history most people forget. Roosevelt accused London of being a "nature faker."

The President, who was a big-game hunter and outdoorsman himself, thought London’s depiction of dogs and wolves was too "human." He didn't believe a dog could have the complex internal thoughts London attributed to Buck. London fired back, arguing that anyone who had actually lived with animals knew they had a logic of their own. This debate actually shaped how people thought about animal psychology for decades. London was ahead of his time in suggesting that animals have an emotional depth that goes beyond simple instinct.

The Darker Side of Jack London

We have to be honest here. London was a complex and often contradictory figure. While he wrote beautifully about the brotherhood of the trail, he also held troubling views on race that were common in the early 20th century. He was a socialist who wanted equality for the working class, but he also leaned into "Social Darwinism," which he used to justify his belief in the superiority of certain groups.

If you're researching who wrote The Call of the Wild, it’s important to see the whole man. He was a ball of contradictions. He loved the wild but spent his later years trying to build a sophisticated, high-tech farm. He wrote about survival but struggled with alcoholism and failing health, dying at the young age of 40 in 1916.

The Mystery of His Death

For years, people said Jack London committed suicide. They pointed to the morphine found near his bed. Modern biographers, like Earle Labor, have largely debunked this. London was in horrific pain from kidney failure (uremia), a result of his hard-living years and the strange tropical diseases he caught while sailing the Pacific. It’s much more likely he died of a stroke or heart failure exacerbated by the morphine he was taking for the pain. He didn't quit. He just wore out.

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Actionable Insights for Readers and Collectors

If you're looking into London's work today, don't just stop at the movies. The films usually sanitize the story. They make Buck look like a cute pet. In the book, Buck is a killer. He has to be.

  • Read the Unabridged Version: Many modern printings for kids cut out the violence. To understand London, you need the grit.
  • Check Out "To Build a Fire": If you want to see London’s purest expression of the Klondike, this short story is arguably better than The Call of the Wild. It’s a terrifying look at what happens when a human underestimates nature.
  • Visit Beauty Ranch: If you’re ever in Northern California, go to Jack London State Historic Park in Glen Ellen. You can see the ruins of "Wolf House," the massive mansion he built that burned down just before he moved in. It tells you everything about his "larger than life" ambitions.
  • First Edition Hunting: If you're a book collector, look for the 1903 Macmillan first edition with the green ribbed cloth and gold lettering. It’s one of the most iconic covers in American literature.

Jack London wrote The Call of the Wild because he had seen the bottom of the world and the top of it. He understood that beneath our clothes and our manners, there is something older and more primal waiting to come out. He didn't just write a book about a dog; he wrote a book about the parts of ourselves we’re afraid to admit still exist.

To truly understand London's legacy, compare The Call of the Wild to his other masterpiece, White Fang. While Buck goes from civilization to the wild, White Fang goes from the wild to civilization. Together, they represent London's total philosophy: we are all just products of where we are forced to live.

To explore his work further, start by reading his Klondike journals. They provide the raw data that he later spun into gold. Look for the "Grosset & Dunlap" reprints if you want an affordable vintage feel, but always stick to the original text to experience the "White Silence" exactly as London felt it in 1897.